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3GPP TS 45.005, Radio Transmission and Reception Speci cations. 3GPP TS 51.010, Mobile Station (MS) Conformance Speci cation. 3GPP TS 11.21, Base Station Subsystem (BSS) Equipment Speci cation; Radio Aspects. [4] 3GPP TR 43.030, Radio Network Planning Aspects. [5] Ranta P. A., Honkasalo Z.-C., Tapaninen J., TDMA Cellular Network Application of an Interference Cancellation Technique , 1995 IEEE 45th Vehicular Technology Conference, Vol. 1, 1995, pp. 296 300. [6] Haas Z. J., Li C.-P., The Multiply-Detected Macrodiversity Scheme for Wireless Cellular Systems , IEEE Trans. Veh. Technol., 47, 1998, 506 530. [7] Valenti M. C., Woerner B. D., Iterative Multiuser Detection, Macrodiversity Combining and Decoding for the TDMA Cellular Uplink , IEEE J. Selected Areas Commun., 19(8), 2001, 1570 1583. [8] Weiss U., Designing Macroscopic Diversity Cellular Systems , IEEE 49th Vehicular Technology Conference, Vol. 3, 1999, pp. 2054 2058. [9] Harri Holma, Antti Toskala, WCDMA for UMTS, Wiley, Chichester, 2000. [1] [2] [3]

Other objects in the environment you are shooting could also cause flash firing time miscalculations. Consider a mirror that reflects more light than a flat white wall, or the flash aimed at a different angle than the exposure meter expects.

Base-catalyzed hydrocarbon conversions, although generally less common than acid-catalyzed reactions, also play a significant role in hydrocarbon chemistry. They proceed through proton abstraction giving intermediate carbanionS: 92a ,94

Onion skinning enables you to view multiple frames at once. When any of the three Onion Skin buttons is clicked, Onion Skin Markers appear on the timeline, centered over the current frame. These markers indicate the range of frames that will be displayed with onion skinning applied. To reposition either of these markers manually, click and drag it to another location on the timeline. Or, you can use the Modify Onion Markers pop-up to manage the manner in which onion skinning displays. By default, the current frame is displayed in full color, while the remaining frames are dimmed out. As shown in Figure 8-13, they appear as if they were each drawn on a sheet of onion skin paper and then stacked in order. (Note how the frames are dimmed with increasing opacity as they move farther away from the current time marker. This is an important visual clue that works both in filled and outline modes.) Only the selected frame can be edited, but this feature is useful because it enables you to see how your edits will affect the flow of the entire selected animation. It s also useful for Frame-by-Frame Animation, because you can see each part of the animation without having to switch back and forth.

The exit message is called by a client that wants to exit chat. If the user simply closes the Flash movie, the socket server removes the user from the list on the next loop pass. This gives the user a way to cleanly leave the system and see a Goodbye message as he or she is exiting.

17: Understanding Actions and Event Handlers 18: Navigating Flash Timelines . . . . . . . . . 19: Controlling Movie Clips . . . . . . . . . . . 20: Sharing and Loading Assets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435 455 493 557

Before you start setting tabs in InDesign, take a look at the tabs already entered in the text You can check this out in your word processor or in text that has been placed in InDesign To view tab characters in InDesign, choose Type Show Hidden Characters, choose Hidden Characters from the View Options iconic pop-up menu in the application bar, or press Option+ +I or Ctrl+Alt+I The light-blue double French close-quotation mark symbols ( ) are tabs To set effective tabs for columns of data, each line or row of information should be its own paragraph, and each column of data should be separated by only one tab character If there s only one tab between each column, you need to set only one tab stop per column, and you can more carefully control a single tab stop rather than several.